Ever dreamed of a career in theater but dreaded the spotlight? For ASU alumna Gabriella Shead, the magic happens behind the scenes. While many aspire to take center stage, Shead found her calling in the intricate world of arts administration, ensuring that every production runs like clockwork. Now, as the assistant company manager for the national tour of The Book of Mormon, she’s living a life she once couldn’t have imagined—a journey shaped by mentorship, hands-on experience, and the foundational skills she honed at Arizona State University.
But here's where it gets controversial: Is a career behind the curtain truly less glamorous than being in the spotlight? Shead’s story challenges this notion, proving that the backbone of any successful production lies in the meticulous work of those who manage it. From coordinating travel and housing to navigating team dynamics, her role is anything but mundane.
A Denver native, Shead’s path to arts leadership began at Cleo Parker Robinson Dance, where she studied, performed, and stage-managed multiple productions. This early exposure to both the artistic and operational sides of performance laid the groundwork for her future career. Following in the footsteps of her parents and uncle—all ASU alumni—she chose the university for its blend of independence and support. As a Sun Devil, she pursued a degree in arts administration, mentored by Colleen Jennings-Roggensack, ASU’s vice president for cultural affairs and executive director of ASU Gammage.
And this is the part most people miss: While theater wasn’t her formal focus, Shead credits ASU’s interdisciplinary approach for preparing her for the industry’s complexities. “ASU taught me how to communicate effectively and juggle competing priorities,” she explains. “Taking classes across all art disciplines gave me a broader understanding of how organizations operate.” Her involvement in clubs, campus organizations, and the Residence Hall Association further honed her leadership skills, leaving her with lifelong connections and memories.
After graduating in 2024, Shead dove into the touring world, working as a production assistant on A Beautiful Noise, Life of Pi, and The Wiz. These roles introduced her to company management and exposed her to diverse team dynamics and operational styles. Today, she thrives in her role, overseeing logistics that keep productions running smoothly. “Life on the road has been incredibly fun,” she shares. “It’s a completely new experience I never saw coming, and I’m grateful for every step that led me here.”
Mentorship has been a cornerstone of Shead’s journey, particularly from women who opened doors and encouraged her to ask questions without fear. Her relationship with Jennings-Roggensack began during her freshman year, evolving into regular meals, candid conversations, and invitations to performances that expanded her professional network. “The best advice Colleen gave me was to always ask the question and not fear the answer,” Shead reflects.
Jennings-Roggensack, who has watched Shead’s growth from student to professional, couldn’t be prouder. “The ASU Gammage team and I are so proud of Gabriella for making her dreams come true in the theater industry,” she says. “As a mentor and friend, it’s an honor to be part of her journey. She’ll continue to shine for years to come.”
Shead also credits Cleo Parker Robinson, her longtime mentor in Colorado, for modeling the power of lifting others up, especially women supporting women and women of color creating pathways for future generations. “They both showed up in ways I didn’t expect,” Shead says. “They supported me through every path I took. I am where I am because of the women in my life who believed in me.”
Here’s a thought-provoking question for you: In an industry often focused on the stars, how can we better celebrate the unsung heroes behind the scenes? Share your thoughts in the comments!
While touring wasn’t initially part of her plan, Shead now hopes to continue on the road as long as the opportunity excites her. Her ultimate dream? To work at a performing arts facility where she can engage with theater, dance, music, and perhaps one day return to a venue like ASU Gammage. “ASU is an amazing school with so many opportunities,” she says. “I’m excited to come back and see how much it’s grown. It will always be a place that shaped who I am.”
Catch The Book of Mormon at ASU Gammage from January 6-11. Tickets are available at asugammage.com.
